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Another time he would have gone quickly enough, for he liked work as little as the average boy, often shirked it; though when he forgot himself in his task, the joy of doing it well held him to it. But May Nell’s coming and the added expense still troubled him; and it was a resolute face he turned to his mother. “No, mamma, you shan’t get down on your marrow bones to these old floors. It’s only me that needs to go on the knees, you know.” His eyes twinkled.,

The child seeing the twinkle in the older eyes, laughed aloud; and, wrapped in a voluminous apron, began the first task that had ever left its stain on her pretty fingers.,

“Never mind, Mrs. Wopp,” said Nell pleasantly, “he is a perfect gentleman in manners and he wasn’t drinking or gambling when I saw him. May I have a little more of your beautifully cooked meat?”,

“Like the lazy coward he is,” Billy tartly interrupted.

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“Just to think I’ve got to heat up more water and fill this tank again for a good-for-nothing urchin like you! Begorra! It’s worth it though to see you get a good ducking!”,

“I wathed theeth carroth mythelf, aint they lovely and red jutht like Motheth hair.” She was quite oblivious of the scornful glance bestowed on her by that outraged shock-headed youth.,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,

Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.